Sunday, March 10, 2019

A wall like no other in Tetela del Monte Cuernavaca

Click here to watch video.
In Tetela del Monte, a pueblo in Cuernavaca, there is a small chapel which was built in 1817, named  Los Tres Reyes Magos. The chapel houses a famous painting, but for many years and with the destruction of the earthquake, the community lost interest in the chapel and the garden that surrounded it.

That changed when John Spencer, a man from England arrived in Cuernavaca. He was an artist and a Catholic and for more than thirty years he worked on the construction of a wall around the chapel. However, it is a unique wall undulating around the chapel. It is a wall of waves, spirals, circles, and surprises and turns the garden into a magical place, home to the annual Día de Los Reyes every January.


I was enchanted by the wall, the garden and the small chapel from the moment I saw it and wanted to find more information about it and John Spencer. Eventually, I found out that Spencer was an artist who appeared penniless and lived like a monk even though his wife had left him a substantial account that he paid little attention to.

When the building he was living in was offered for sale, he decided to see if he had enough money to buy and refurbish it. He did and it now exists in central Cuernavaca as a cultural center.

A friend of Spencer's wrote a long article about Spencer and the cultural center.

John Spencer and the Casona

by John Prigge

In the late fall of 1990, after two years of traveling through India and Pakistan, John Spencer returned to his rented flat at the Casona in Cuernavaca, Morelos, Mexico. John had now lived for twenty-three years in rooms on the second story of a building whose ground floor dates back to the 16th century.

He immediately went back to work on The Walls at the Three Kings church in Tetela, which was constructed in the same century. It was at this time, in 1991, that the Institute of Culture of the State of Morelos, headed by Mercedes Iturbe, an admirer of John's work, presented him with a small grant for one year, to acknowledge his many contributions in Morelos. John used all the amount of the grant, and again much more of his own money, on his project in Tetela that was now, with several interruptions, going into its third decade. In a few years, at the age of 69, John would begin an entirely new project.

In April of 1997 John left his flat with books and his rock carvings in his shoulder bag to walk the half block to his favorite cafe for his daily bananas with honey and cafe con leche. This morning he was stopped in his tracks by something new on the facade of his beloved Casona; a For Sale sign. As the usual friends stopped by to join John at the cafe, he mentioned this troubling new development. Who would buy the Casona? Would it become another centro comercial like so many other properties in the last several years in Cuernavaca? And where would he go?

John Spencer did know where he would go if the Casona changed hands and was no longer a block of flats. For the last five years John had divided his weekends between two inspiring and captivating places. One was along the Amacuzac River outside of the town of the same name where he stayed with his dear friends Ana Marsland and Stanley Millet. There he would enjoy the company of his friends, excellent home cooked spuds, John said nobody made them as good as Ana, and long walks along the river where he collected more stones for the carvings he had been creating for thirty years, collectively called Sermons In Stone. These carvings, which took enormous patience and endurance, drilling slowly with electrical grinding tools, became tigers, lions, Jonah's whale, Noah's Ark, zebras, and jaguars. The stone carvings that John didn't give away will soon be on view as part of John Spencer's collection at the Casona Museum.

The weekends that John wasn't imagining jaguars and whales in river stones along the Amacuzac, he would spend in a small monk's cell at the convent in Yautepec overseen by his great friend Father Angel Sanchez. It was this one-room cell that John thought he would go to live in if he had to leave his home of half a lifetime.

But he also began daydreaming about another possibility. John's late wife Elizabeth had left him a small fortune in a portfolio account in England. The only serious money John had ever spent was on his art projects. He had no idea if he had the kind of money it would take to buy the Casona, which in Spanish means the manor. The Casona stands on 1,500 square meters in downtown Cuernavaca. It faces the Cathedral and lies between the historical landmarks of the Borda Garden and the Cortez Palace.

The subject of money tended to embarrass John and he wasn't sure how to approach the owner, Miguel Alatriste, who over the years had also become a friend. So he turned to another friend who, since he had originally met him in the early 1980s as the only American working in a Mexican Bank in Cuernavaca, he thought might advise him on his, to him, wild and outrageous idea of maybe buying the Casona himself.

When contacted over the phone at his residence in Mexico City regarding John's interest, the owner of the Casona, Miguel Alatriste, could not take the idea seriously. That his long-time tenant and friend, who neither owned nor drove a car, had no television, stereo, or hardly any furniture, who dressed in threadbare suits and worn canvas sandals and ate in economical restaurants downtown, had the money to purchase prime real estate in downtown Cuernavaca was so strange and improbable an idea that he politely referred John and his friend to the real estate agents handling the sale.

It wasn't until John Spencer had won the bidding against three other interested parties and was signing the escrow papers at the notary's office less than two months later that the Alatriste family finally realized John was for real. All the sons and daughters of Miguel Alatriste, who had grown up in the Casona with John and were very fond of him, were delighted that the Casona would now go to John. But, at the actual signing of the sale one of the sons turned to John and complained bitterly that he hadn't dealt directly with the family to save the real estate agents commission. John and his friend assured him that they had tried.

For half his life the Casona had been a shelter and nurturing nest for John Spencer's creative imagination. He had pondered and admired the impressive arched two story entrance that ran up a long hallway bordered by 4 meter thick adobe walls built in the 16th century. He had daydreamed and sketched in the garden amidst lush, tall banana plants and mango trees. He had managed a glimpse of old stone columns and capitals hidden behind the plastering and sheet metal doors of the entrance to his apartment.

John Spencer had imagined almost daily the grandeur that could be the Casona if it was liberated from its modern and unsightly construction when it was converted into a block of flats by the previous owner's father in the first half of the 20th century. The senior Alatriste had apparently been so eager to finish the work that when Pre-Columbian artifacts were found on the site, he had them placed into the walls being constructed like so many bricks.Then they were plastered over. This avoided the possibility of INAH stopping the work for archaeological excavations.

Several Pre-Columbian stone figures and 16th century arches, columns, and capitals were rediscovered during John Spencer's restoration project. They will be on exhibit at the Casona Museum, also John soon realized, to his regret, that to do justice to the Casona architecturally, historically, and aesthetically, the other nine renters would not be able to stay on. He, therefore, offered three months free rent and moving expenses to all. Most of the tenants were understanding and took John's generous offer. There were some difficult holdouts, but John's project encompassed the entire structure from the street level hallways and rooms leading up to the garden, to the two floors around the courtyard, and on up to the penthouses on the roof, and so work was never held up.

The Casona had at that time 2,500 square meters of construction of which over half had to go for John to realize his vision of restoring the building to its historical and architectural integrity. The first couple of years of the project were taken up by a massive demolition project and late at night John would sleep over the sound of the countless tons of rubble being hauled out during the only hours that trucks are permitted downtown. The entire restoration project was funded by John Spencer, but he did have the full support of the Public Works Department, which gave him all the necessary permits free of charge, and the permission and grateful approval of the National Institute of Anthropology and History.

By the end of the demolition phase of the project the roof of the Casona had been relieved of the penthouses, which were actually several squalid but very solidly built apartments, and so opened up a breathtaking view of the Cathedral and its gardens to the south and an expansive view of Cuernavaca and the countryside to the east. The garden of the Casona now covered an area four times larger than before.

The stately 16th century hallways on the street level below were cleared of the many rooms that had divided them up into dark, musty rooms. Though John never counted exactly how many apartments the Casona had, he was fond of quoting Giuseppe Di Lampedusa's The Leopard whose Don Fabrizio said a palace of which one knew every room wasn't worth living in. There were easily more than fifty, ranging from cramped one-room flats to large suites. The impressive and inspiring outcome of John Spencer's vision of restoring the Casona has been to give Cuernavaca some twenty different spaces for concerts, exhibitions, workshops, theater, and all types of cultural activities and presentations.

Just as in his art, John Spencer's life was full of fascinating juxtapositions. John was raised in the Church of England but converted to Catholicism in 1955. On even the hottest of days John could be seen walking about semi-tropical Cuernavaca in his threadbare suits and tie, but with canvas sandals on his feet. He often seemed distracted and self-absorbed in his musings on art, but on a trip to England he brought back a Nantucket weather vane in the shape of a 5 foot long whale to a friend who was also fascinated by this mammal. Typically, John left the crate holding the weather vane behind at a train stop in England, and had to backtrack a couple of hours where he luckily retrieved it. John could complain about the price of his coffee with milk going up 5 cents, but he spent liberally on his sculptures for many churches in the area and on his support of young artists in Cuernavaca, like his friends Cisco Jimenez and Angelina Wilimek.

John was a vegetarian who would not eat salads. His diet had everything to do with solidarity with animals and nothing to do with health. For many years John's diet consisted mainly of white bread with processed cheese, french fried potatoes, and ice cream. But John was so devoted to animals that for many years he went out late every night on the streets of Cuernavaca collecting live cockroaches for his two pet tarantulas. And, he once traveled all the way to Los Angeles, California, just to sit next to an acquaintance's pet tiger.

John was a voracious reader and has left hundreds of volumes of books ranging on many subjects for the library of the Casona. But he could also stare for hours on end at a single picture of a butterfly in one of his many books on the insect world. John would quote from memory lines from Shakespeare, Graham Greene, Admiral Nelson, Chesterton, Nabokov, Gaston Bachelard, and Malcolm Lowry to name a few, but once, when his bank in England called to confirm personal information before sending a wire transfer, they suspected him as an imposter because he didn't answer their questions succinctly.

John Spencer lived a very austere life with few possessions and was perfectly content to picture the rest of his life in a monk's cell at the convent in Yautepec, but instead he became the owner of the Casona, whose facade takes up an entire city block in downtown Cuernavaca. After a short illness John Spencer died on March 17, 2005. John left the Casona as a privately owned and operated cultural center and museum to benefit the artistic and intellectual like of Cuernavaca. In 1999 he set up a non-profit foundation Museo la Casona, A.C. to manage the project after his death.

John identified strongly with the old Arab proverb: Never finish to build thy house, and, fittingly, the restoration was not completed at the time of his death. But John left very clear instructions with his friends in the foundation on how to complete his vision. The restoration of the Casona coalesces much of John's ideas on form and space into the architectural work itself. Soon one will be able to wander through the Casona to experience both the historical and architectural aspects of the building he restored and the art of John Spencer himself.

Though he gave away most of his art to friends and acquaintances from all over the world, the Casona Museum will still have a permanent display of many of his sculptures, paintings, sketches, and stone carvings. There are also photographs of his life and works, including The Walls in Tetela, which are only a fifteen minute drive from the Casona. Written into the document that set up John Spencer's foundation Museo la Casona, A.C. is a quote from The Poetics of Space by Gaston Bachelard which always inspired him and will continue to inspire his dream for the Casona, 'We shall experience a house with cosmic roots.’


 

 

Saturday, March 2, 2019

The Gifts of Perdido (Being Lost)

I am on my way to Museo de Textil Oaxaca and it is proving not to be where I thought it was. So, I stop in a shady spot where I can see my phone map to unlost my lostness. I see a flash of bright color and something about imagination and suddenly I’m falling down a rabbit hole.

I wander in and my breath catches as I see joyful, childlike paintings on the walls ...

 




What is this place?

As I wander through the space, deciphering bits and pieces of the graphic explanations, I gather that it is about reading. But, what is it? There are no children here although it is obviously designed to delight the child within.


"There are two types of readers:  
those who carefully pass through a book, 
and those who with equal care 
let the book pass through them. "
-- Douglas Jerrod 


 The only clue I find is the opening sign that says "Proyectos de lectura FAHHO." 


So, off I go into infolandia and find out that FAHHO is the acroynm for Foundation Alfredo Harp Helú Oaxaca, so it is some sort of philanthropic organization. I need to talk with someone.
"The writer is the painter of the voice."
After signing in with security I wind up talking with Edú, who fortunately speaks great English, and find out that this is one of Oaxaca's biggest foundations and one of their focuses is on supporting reading programs with mobile libraries, children's programs and so on.

Universos Imaginados is a temporary exhibit about their programs. Turns out that it is a very big foundation and the office we're in is part of a converted convent that the foundation turned into a cultural center.  It is one of the more unusual conversions I've seen ... antiquity merged with contemporary.







They also created the Museo de Textil Oaxaca ... where I was originally headed ... and a Mexican folk art store called Andares. When folk art was mentioned, I told Edú I was a volunteer with the Feria Maestros del Arte and he immediately suggested that I go talk to Eric Chávez Santiago, the director of Andares and their artisan support program. An hour later I was in a meeting with three people from that program talking about how we might collaborate.

I wonder about this exhibit that drew me in. From an early age, reading expanded my life. Was it this energy of reading that drew me into this specific spot and gave me an interesting day that wouldn't have happened if I hadn't gotten "lost"? The image below speaks to me of the winding path of life and the power of reading.
Triumph! from Universo Imaginados




Sunday, February 24, 2019

New Book: Seeker: a Sea Odyssey by Rita Pomade



Available at MiroLand here
Rita Pomade ... It was a name attached to an excellent article on amate, a Mexican folk art. I wanted to use the article so I sent a request for permission to the email listed. Thus began a connection which grows more interesting. 

We discovered common friends made when she lived here in Ajijic. She has written a book about her life on a sail boat (an unrequited dream of mine ... next life). And, she experienced the aftermath of 1968, a year I've become fixated on. Throw in the circumstance that I live next door to the summer house of President Diaz Ordaz, the anti-hero of those turbulent late 60s, and it seems like an unlikely flow of coincidences.

Anyway, Rita has offered to share the first chapter of her book, Seeker: A Sea Odyssey, and I'm delighted to be able to make that happen. I asked her to give us an introduction and she offered us a short view of her life and the trauma that changed it. Her story has me riveted and anxious for the book to come out. 

Amazon will release it on May 1 but it is available now at the link under the picture.

From Rita:


Rita at sea
The year I was diagnosed with cancer my marriage ended. I lost my health and partner at the same time, and felt paralyzed with fear. Knowing that I could die triggered a shift in how I viewed life. I realized that to put my life on hold was a loss of the journey I was here to experience.  I saw life as a gift, and that to not use it fully was to not honor the awesomeness of being here. Having broken and mended many times, I came to see each break as letting in more light. One day, I found a short saying in the upper right corner of the front page of my local newspaper. It read “Success is fear but doing it anyway.” I clipped the quote and pinned it above my desk.
            While still undergoing chemotherapy, I pressed the button for the elevator from the 19th floor of my apartment building. The door opened and shut, but not before I saw my tiny neighbor from the floor above being brought down on a gurney in a body bag. I felt that should I die, I didn’t feel like being taken down nineteen floors on a gurney in a body bag. I thought about how I craved earth beneath my feet, and how much I wanted to tear up the sidewalk every time I went out. I remembered how I had once felt earth’s magnetic energy flood my body. I felt the pull of Mexico. 
I lived in Mexico City in the sixties.  I had gone on vacation and stayed seven years, forfeiting my New York apartment to two young men who had sublet it. Though I had to leave Mexico, a part of me never let the country go. Now I wanted to go back. This time, I chose Ajijic with its gentle climate and flowering jacaranda trees. I built a house at the foot of its mountain overlooking Lake Chapala. I loved my home flooded with light, my garden with the light passing through the flowers, the orange tree I planted and from which I plucked fruit every morning. I planted a banana tree, that I discovered wasn’t a tree, and never stopped growing and reproducing to the delight of my neighbors who benefited from its bounty. The soil was rich, the mountain was alive with medicinal plants that my neighbor brought me for their healing properties, and the mountain range across the lake changed colours with the changing light, leaving me transfixed as I watched the changing hues. I wrote for Mexconnect, had a “Dear Rita” column in the Chapala Review, and learned to do lino-cuts from my friend Pat Apt. I didn’t die, but lived fully my years in Ajijic.
And then one day I had to return to Montreal. And it’s here in Montreal that I wrote Seeker: A Sea Odyssey. But the story began in Mexico. In this excerpt from Seeker, I write about the day I made the decision to leave Mexico to begin my journey. I feel privileged to be able to share it with the friends I had made in Ajijic during the years I lived there and with those that have come after me.
Bernard Rita and Lola
CHAPTER 1 – SUCH STUFF AS DREAMS ARE MADE OF…

I have no reason to go, except that I have never been, and knowledge is better than ignorance. What better reason could there be for travelling. – Freya Stark

OCTOBER 1969: MEXICO CITY

A great sense of adventure and curiosity about other cultures brought Bernard and me to Mexico in the mid-sixties from different parts of the world. He was a French geologist hired to find water for the Mexican government. I was a ceramicist in a potter’s studio, a freelance reporter for a magazine called Mexico/This Month, and part-time English as a Foreign Language teacher. On weekends, I read palms - a skill I had learned through reading books. Having walked away from an abusive marriage, I was trying to support my two young sons in a foreign country. Both of us were dreamers and open to new experiences. It was inevitable that our meeting would spark unexpected possibilities.

We met at the home of Leonora Carrington, a well-known surrealist painter who was as famous for helping to smuggle her then lover, Max Ernst, out of Nazi Germany as she was for her artwork. Leonora had a weakness for handsome young men, and Bernard filled the criteria with his rugged features, alert green eyes, and irreverently coifed head of thick, dark auburn hair. He was tall and lithe – the perfect escort for the parties Leonora used to attend at Diego Rivera’s home. They weren’t lovers, but it pleased her that others thought they were, since he was a good thirty years younger. Bernard, a young underpaid Cooperant (the French equivalent of a Peace Corp worker), took full advantage of the arty parties, replete with free food and flowing booze. I viewed him as a lightweight rake, and made a point of ignoring his overtures of friendship during Leonora’s ‘by invitation only’ Sunday salons.

But all that changed one afternoon when we bumped into each other at the La Merced Market in downtown Mexico City on a miserably hot day. 

“Feel like a beer?” he asked, after the obligatory cliché of “fancy meeting you here.”

“Why not?” I answered.

Over a generous plate of sopes, thick rounds of corn masa slathered with beans, cream, and salsa, and cold bottles of San Miguel beer, we talked about Mexico. We discovered that we shared a love for this vibrant country with its diverse indigenous cultures still intact, its extraordinary shifts of landscape, and its warm and gracious people. But suddenly I started to speak about how the heart had been ripped out of it the year before.

I came to Mexico in 1966. It was a time of tremendous creative output in all the arts. Many Latin American writers and painters, in exile from their own countries or by choice, had settled in Mexico. It brought other intellectuals from all over the world who were caught by the creative energy that defined the country. I planned on being there for a summer vacation, but I sublet my apartment in New York, and decided never to return. Bernard came at the end of 1968.  He arrived in Mexico City a month after the horrific massacre of hundreds of students in the Plaza of the Three Cultures just weeks before the Mexican Olympics. 

It was now 1969 but the repressive measures of the Diaz Ordaz government had not abated. Many of the foreign intelligentsia were accused of instigating the students and were deported. The unlucky ones were jailed and tortured. Others left the country of their own accord. I witnessed students taken from their homes without just cause never to be heard from again, while the secret police roamed the streets with walkie-talkies to report any sightings of “suspicious” young people. Several teenagers hid in my home until they were able to procure forged passports to leave the country. Fear replaced open dialogue and the dynamic euphoria that had marked the city evaporated overnight.  

Paralyzed by depression brought on by the horror of what had happened in a country I loved, I couldn’t leave. I didn’t realise how traumatized I was until I related the story to Bernard. I was looking for something I could hold on to that made me feel alive again. I remembered my childhood when my life was alive with the belief that I could make whatever I wanted come true. We spoke about our childhood dreams.

 Bernard related a half-buried dream of his. It began with his boyhood on the Loire in France, where he had built his own raft to sail the famous river. His makeshift sail was not rigged to be turned, and he found himself going downriver with no control until he crashed into the river bank. “I told myself I’d have a real sailboat one day,” he said.

I had no technical aptitude, but an early desire to explore. I was raised in upstate New York, and my family spent summers in a small cottage colony beside the Hudson River. Left to myself, during the summer months, I wandered freely with no restraints. I found hidden streams where I collected frogs that I housed in abandoned ice boxes. I watched fishermen bring up buckets of fish, and I stared with fascination when one of the fish, dumped from a bucket, looked strangely prehistoric with fins and tiny front legs. I tasted oily eel grilled over an open pit that the fishermen offered me when I sat with them at lunchtime. I followed a handyman around – a tall, angular man who made me think of the tin man in the Wizard of Oz, but he was the colour of coal. He told me he was from far away. It all hinted at more than I knew, and I always wanted to know more.

I started digging my way to China with a toy shovel at the age of six, when I learned it lay at the other side of the world. I had to abandon the project two feet down and two summers later, when my port of departure was flooded by an underground spring. The memory lay dormant until our conversation. Now, it resurfaced with a new-born energy that manifested itself in the form of a yacht and a desire to sail. What better way to see the world than from our own boat without the narrow perspective of travelling as a tourist. No hotels. No limited stays. No heavy backpacks…

We fell in love with the idea and with each other. Bernard moved in with me, and we talked about it endlessly. We shared our vision with my sons Jonah and Stefan, who were then four and six years old, and eager for adventure. I had a young housekeeper, Laura, and she had a boyfriend named Benjamin. Laura had become a close friend, so we included her and Benjamin in our plans.

“We’ll find an island for you and Benjamin,” I promised her. “Benjamin can build us a house, and you’ll tend the garden.” It was Laura’s dream to have her own garden, and I envisioned us eating homegrown produce around a large, rough-hewn table that Benjamin would build. They’d settle there permanently. For us, it would be a refuge after long journeys.

The two of them were as excited as we were to start this new life. Laura, who had been raised on a farm, didn’t feel at home in the city. Work brought her north from a small village in Oaxaca, but every vacation she went back and took my boys with her. “They need the fresh air,” she said. “And some good armadillo tamales that only mi abuela can prepare.” Benjamin was a construction worker, but work was hard to find. When he did find employment, there was never any security or protection when he got laid off. I wanted to share what I thought was a better life with them – perhaps as a way of coping with all the injustices I had seen.

We remained in Mexico three more years trying to save the money for our adventure, while the government continued its propaganda against foreigners. When someone wrote “Gringo go home” in the dust of Bernard’s car, we knew it was time to leave. We also knew by then that the pesos we were earning weren’t sufficient to support our goal towards building the boat.
Bernard and I opened an atlas on the kitchen table and looked for a suitable country where we could prepare to start our project. With Bernard’s background as a geologist and my years of teaching, we had the good fortune of being able to pick our country. It was the early seventies. Life was full of opportunity. Borders were easier to cross, and work was abundant everywhere. The pencil came down on Canada – sane, democratic, stable, a high standard of living. Bernard had spent time there in 1966 and 1968 mapping the unexplored North for the Quebec government and was excited to return. He liked the fact that he could speak French in the province. I was happy that I could speak English. We’d work hard and earn good money. We promised Laura and Benjamin we’d return for them when we were ready.

Wednesday, February 13, 2019

Pelicans, giant masks, and a ridiculous story ... just another day on Lake Chapala


As the day winds down in Petatan, a small Michoacán village on the south side of Lake Chapala, most of the people are finishing their daily chore of filleting the day’s catch of tilapia and carp. Fish skins and skeletons are wheeled down to the lake for a waiting audience of thousands of pelicans … or carried down in buckets by children to  amuse the visitors who have come to watch this months-long form of symbiosis between pelicans and fishing village. 
Photo from: The Cornell Lab of Ornithology
American White Pelicans are among the heaviest flying birds in the world. They prefer shallow lakes and feed in co-operative groups rather than plunge-dive for fish the way brown pelicans do. 
These pelicans are excellent soarers and we watched one long line of pelicans do a graceful wave across the waters. We wondered why some birds had protuberances on their upper bill. Google informed us that those are breeding birds.


The pelicans are glorious.

Angeles feeds the pelicans for us.
What was intended to be just a quick trip to see the pelicans with Miguel Lemus turned into a romp, a stunning parade, and a ridiculous story, more about that later.

Miguel arranged a short boat trip for Cynthia Louden, her friend Lynn from California, and I. It turned out to be the best way to see the pelicans and Petatan ... which used to be an island. 

Another boat

Our captain

Pelican wave
Gathering place

Petatan from boat
Miguel Lemus, tour guide extraordinaire
Angeles, a 10-year old  entrepreneur who fed the pelicans for us, introduced us to her mom, displayed her own fish cleaning prowess and then offered to lead us to the church. Of course, there were propinas for her travel account along the way … she’s partial to Mazatlan and saving for Cancun.

Angeles, her mom and sister
Miguel and Angeles - alley adventure

Estella
The route to the church was a narrow, twisting, hidden alley that wound through the town and up to the church  where we met Estella who has lived there for 70 years and was delighted to have someone to tell her stories to. 

She led us to a patio area where we had a spectacular view of the lake and she spoke so clearly that I was enjoying actually understanding chunks of her stories. One was about the year the lake flooded and they had to move her house stone by stone, one about the rock pile that once served as a community outhouse, others were about her 8 children. 
Estella's view
However, the story that really shocked me was about her grandmother and some dogs. I clearly heard  abuela, perros and something about eating and was feeling quite proud about understanding her words. It was a little odd that she didn’t react much about such a dramatic story, but I just thought it must have been a long time ago. Estella was so delightful we stayed there for a long time listening to her and enjoying the stunning views of the pelicans and the lake.

Later, after having toured the entire town with Angeles, we said goodbye and headed back toward Ajijic, meeting this cow in the middle of town.

As we headed back to Ajijic, we were talking about our unique experience and how much fun we had meeting both Angeles and Estella, when I said … “but, can you believe her grandmother was eaten by dogs?”

After the hysterical laughter died down, Miguel very kindly said, “I think you may have misunderstood the story.” That was followed with a dozen variations on flesh-eating dog stories. I fully expect this tale to be part of my obituary … but I swear that’s what she said. Maybe some more work on Spanish comprehension is needed?

Somehow, every time I go somewhere with Miguel, the trip turns into an adventure with a lot of laughter and unexpected discoveries. However, I thought we were done for the day when we were stopped by a parade close to Tizapan.
Miguel stopped so we could see the parade which included Tlahualiles dancers, the first time I've seen them in person. It was  a short parade but stunning.
 

Tlahualiles means “defeated warriors” and there is a two-week festival in Sahuayo which celebrates the feast of Santiago Apóstol, or Saint James the Apostle, patron saint of Sahuayo. This year the festival is in early August and I have been making plans for attending itl. Seeing the few of them in this parade doubled my interest in seeing the full festival.



To create your own day of adventure, here's a map of the lake created by Steven Miller and Miguel Lemus has a Facebook page so you can follow his tours or create your own with him as a guide






Cuernavaca: Baffling and Beautiful, part 2 - Lost!


Cuernavaca
I’m not known for my directional skills. However, once I discovered GPS and Google Maps on my iPhone, I felt like a reasonably competent adult … until I got to Cuernavaca. I’m sure it was me, but, for some reason, most of my time in Cuernavaca, I was LOST! 

I’d start off with my destination carefully plugged into my phone and before long I would be in some scary place with neon signs blinking: You’re lost! Run! So, I would SOS Uber and they would rescue me.

There is a multi-level, rabbit-warren of a mercado in Cuernavaca. I’m sure lost civilizations wound up there when their climates collapsed, and they’re still there, selling pig tongues and hand-made shoes. 

Anyway, on one of my point-A to point-B, estimated time 35 minutes, excursions, I wound up at that mercado. In my mind, I could walk up the six flights of stairs, cross the mercado, go down six flights of stairs, and come out on the other side and be in the right place. Wait … don’t get ahead of me.

So, off I went, up the six flights of stairs, down one flight, a block or so off to the right, up another flight … ask a nice person who pointed “that way.” A block or so that way, down a flight of stairs, to another nice person, who pointed in a different “that way.” Rinse and repeat until I finally saw daylight again and six flights of stairs down … where I wound up exactly where I went in … and called Uber.

This pattern (minus the mercado) reoccured for two weeks. And, there’s no reason. If you look at the map, the routes between #1 (my home-stay) and #2 (school) and #3 (Cafe Colíbri, where I spent a lot of my time, were pretty straight shots. I think there’s a magnetic field there that threw me off track or messed with my GPS. After two weeks, if I didn’t take any detours, and held my phone the entire way, I finally managed to make it school without Uber.

Blame it on the forces of the earth

Maybe it was that malignant magnetic field that made me drop out after my first class of the Spanish Immersion program.

Background: I have been half-assed trying to learn Spanish for about 30 years. Net result: nil. 
 
Four years ago, I got serious and went to San Miguel de Allende for an immersion session that didn’t work out well. For several “very good reasons,” the classes didn’t work for me. I left SMA and went to San Cristóbal de las Casas and spent four months theoretically studying Spanish but spending the bulk of my time researching learning processes and finding resources for studying Spanish. 

By the time I went back to California, my Spanish bubble hadn’t moved noticeably.

When I moved to Ajijic, my determination to learn Spanish skyrocketed, however, little action followed that determination. Finally a friend showed me her Warren Hardy Spanish workbook and it looked well-organized so I bought all four workbooks and began. Eleven months later, I finished the 600-pages of grammar, verb tenses and gosh-awful boring lessons. I was ready to try immersion again. I knew I might have a problem when I took an online exam to test my Spanish listening skills … and failed … utterly.

The immersion course I chose also offered a multitude of activities focused on women’s issues in Mexico. I was excited to break into a new level of Spanish and find out more about the culture of Mexico. The first day, we met the teachers and students, ran through an overview of the program, and had our first outing to the historic district of Cuernavaca. So far, so good.

The next morning we went into our first class and within an hour, I knew I was in trouble. I was hoping for a magic wand that would lift me over the Wall of Fear that was keeping me from speaking Spanish. I also needed drills on listening to and learning the sounds of Spanish. What I got was a lesson on grammar from the first level of the Warren Hardy workbooks I had finished the year before.

Crisis! The teachers and everyone at the school were NICE. They wanted to help us. I’d paid a lot of money for this experience. The self-conversation went something like this:
ME: I can’t do this for two weeks.
Adult Me: Just do it … it will be good review.
ME: No! I will die of boredom.
Adult Me: You’re here. Just shut up and make the best of it.
ME: No! I’d rather never learn Spanish than sit through this for two weeks!
Adult Me: You're being a brat! You can’t hurt their feelings. They’re really nice people.
At the first break, I told the teacher that I was having a problem and she seemed sympathetic. I later learned that, while the teachers spoke English, having a complex conversation was very difficult. By lunch, with my insides still screaming, I went to the head of the school to see if my teacher had talked with him. She hadn’t. I told him I wanted to do self-study instead of classes. He didn’t understand and I wasn’t completely sure I did either. 
 
Recognizing my own needs and style of learning

This book opened my mind.
The self-conversation went on all the rest of the day and into the night. I finally realized that I was in danger of dropping out of Spanish altogether if I didn’t find a way to learn on my own, in my own way, and in my own time. That night I plunged into the internet, trying to find answers and new resources. And, amazing stuff showed up.

By the next morning, I had a plan. I would do self-study during class time (basically half of each day) but attend all the school's cultural activities. I also knew that I had to hold onto the plan even if the teachers didn’t understand. This was my learning journey and it was important enough to me that I had to find a way to help them understand why I needed to do it my way.

While this new program didn’t keep me from getting lost on my many excursions around Cuernavaca, I no longer had that sense that I was mentally and emotionally lost, and on the wrong path. 
 
I committed to listening more, speaking more and began to develop a program for me. Suddenly, learning Spanish was fun again. 
 
More about Cuernavaca:  
 

Tuesday, February 12, 2019

Cuernavaca: Baffling and Beautiful, part 1 - the Arrival


It’s hard to write about Cuernavaca. It feels like writing about someone you know is a nice person but who seems to be a bit down on their luck. You want to write about their brilliance and inner spark but you keep noticing that their shoes are untied and it’s been awhile since they combed their hair.

Cuernavaca, the city of eternal spring, was to be my home for two weeks while I immersed myself in a Spanish language course focused on women’s issues in Mexico. With some trepidation, I had even signed up to do a home-stay with a Mexican family. My introvert self was nervous about constantly being in the midst of people.

As often happens when we travel, little turned out the way I expected. Pesky expectations.

Arrival: the hopeful-but-uncertain stage

My instructions were to find the bus station to Cuernavaca in the Mexico City airport. It sounded easy enough, so I collected my bags after the short flight from Guadalajara and set out. There were glimpses of signs, however after walking for a while, I began to doubt my progress and found a friendly face to ask. I had carefully crafted the words in my mind and was pointed up a flight of stairs, where there was another glimpse that I might be heading in the right direction.

I’ve passed the "complete absence of Spanish” stage and arrived in the “wandering in the weeds” stage. I can ask a few questions and, sometimes, understand the answers when accompanied by sufficient hand gestures. This tends to leave me in a hopeful-but-uncertain state most of the time while I’m traveling. 
After several short hops between questioning friendly strangers, I did indeed wind up in a queue which pointed toward Queretaro although the woman who seemed to be in charge said it was the Cuernavaca line. Everyone else in the line seemed to think they were going to Cuernavaca, so I waited, and we did wind up on a bus and it did arrive in Cuernavaca. One is never quite certain.

From the Cuernavaca bus station a taxi proceeded to wind through streets that made me wonder about this whole enterprise. Not exactly ugly, but not as beautiful as my mental images. Finally, we stopped on a busy street, in front of a broken gate, in an anything-but-residential-looking area. Uneasiness grew. 
Neither the taxi driver nor I were quite certain this was the right place. But, I got out and he drove away while I knocked on two doors, not knowing which was the right one, and waited. Finally, a woman answered one of the doors and, with a smile, invited me in. Hesitantly, I entered a garage and followed her around a corner into … paradise. Remember in the Wizard of Oz when the movie shifts from black-and-white to Technicolor? Exactly!
Paradise found 
My home-stay paradise
My body was like a tightly inflated balloon that suddenly released all the tension I didn’t even know I was holding. Whatever else happened, I was safe in this beautiful garden with my own apartment looking out over a pool and surrounded by big trees.

In the days that followed, I would discover many things … about Cuernavaca … about my adopted family … about myself. 

Here are more pictures of the art-and-kindness filled paradise of the family abode they call La Morada:

Claudia and Paco, my beloved home-stay parents
My delightful ... and private ... nest